2019 Marasa, Dino, Polychromia 2019 & The Frankfurt Art Portfolio,
Studio Byblos Publishing House, Printed in Palermo, copyright
Studio Byblos 2016-2019
2017 Marasa, Dino, Polychromia International
Studio Byblos Publishing House, Printed in Palermo, copyright
Studio Byblos 2016-2017
2017 ART UpCLOSE, A Survey of Contemporary Art, World Edition 2016, by Liam Davis
2017 Halasz, Piri, Review, Three with Brio, May 13, 2016, From the Mayor's Doorstep c 2017 -
2017 Catherine Perehudoff Paintings, Catalogue for solo show , April 5 - 23 at Artifact Gallery NYC c 2017 Artifact c 2017 Images Catherine Perehudoff, Design: Artellegint Graphics.
2016 Marasa, Dino, Polychromia, The Wonder of Contemporary Art, Studio Byblos
Publishing House, Printed in Palermo, copyright Studio Byblos
2016 Marasa, Dino, Polychromia,The Wonder of Contemporary Art, Studio Byblos
Publishing House, Printed in Palermo, copyright Studio Byblos 2016-2017
2016 Grand Budapest Art Show 2016, Catalogue of the Artworks,
Faur Zsofi Gallery & Publishing, 2016, copyright Studio Byblos International,
Palermo 2016
2016 ART UpCLOSE, A Survey of Contemporary Art, World Edition 2015, by Liam Davis
2016 Art in America Annual Guide 2016 –MUSEUMS, GALLERIES, ARTISTS
2015 Russo, Dott. Francesco Saverio, “Effetto Arte” July/August 2015, Anno 5, Numero 2, publication of artwork from Roma Piazza Del Popolo Exhibit, Sale del Bramante, Serradifalco Publisher, Palermo, Italy, p. 278
2015 Russo, Dott. Francesco Saverio, catalogue for Contemporary Paradise, p. 47 , EA Editore,
2015 Russo, Dott. Francesco Saverio, “Effetto Arte” July/August 2015, Anno 5, Numero 2, publication of artwork from Roma Piazza Del Popolo Exhibit, Sale del Bramante, Serradifalco Publisher, Palermo, Italy, p. 278
2015 Russo, Salvatore, “Roma Imperiale International Prize 15”,
Effetto Arte, March/April 2015, Serradifalco Publisher, Palermo, Italy
2014 Nicholat, Levi, “Catherine Perehudoff, Atmospheric Perspective”, exhibition catalogue,
c 2014 The Gallery/Art Placement Inc., Saskatoon, SK
2014 Serradifalco,Sandro,“A Portrait for Great Art’s Masters”, Effetto Arte,Anno 4-Numero-5
September/October, Serradifalco Publisher, Palermo, Italy, p.78-79
2014 Serradifalco,Sandro, catalogue for Trofeo Il Tempio, 1st Premio Trinacrea Premio Conca
D’oro exhibit in Monastero dei Benedettini di Monreale, c 2014 EA Editore, Palermo,
Italy, Serradifalco Publisher, p.82
2014 International Contemporary Masters Volume 9, c 2014 World Wide Art Books Inc. published in California, curated by Despina Tunberg, printed in China, p. 177
2013 International Contemporary Masters Volume 7, c 2013 World Wide Art Books Inc. published in California, curated by Despina Tunberg , printed in China, p. 302-304
2013 Important World Artists, Vol. 1,c 2013 World Wide Art Books Inc. published
in California, printed in China, p. 210
2010 Peterson, Lesley,, ‘Catherine Perehudoff, Light and Colour in Landscapes”
Gallery Gevik, Toronto
2010 Taber, Jane, The Globe and Mail, “U.S. ambassador’s Wife Masters Art of Diplomacy”
A17, Saturday, March 6th, 2010
2009 SAM, Southern Alberta Magazine, University of Lethbridge, Vol.1, Issue 1, “On the           
Cover”, PrintWest c University of Lethbridge 2009
2009 Bouchard, Gilbert, Avenue Magazine,Edmonton, May 2009 “Landscape Royalty”, p. 22, 
c 2009 by Odvod Publishing Inc. Edmonton, Alberta
2008 Carte Blanche Vol. 2 Painting, c  2008 Magenta Publishing for the Arts, p. 188, 321
2008 Bell, Keith, “ Catherine Perehudoff”, catalogue essay for Canadian Landscapes
exhibit, c  2008 Calvin Redlick
2008 “London Branch Event Features Saskatchewan Artists”, Green & White, University of
Saskatchewan Alumni Magazine, Spring 2008, p. 26
2008 Waldman, Anthony, “Prairie Landscapes in London”, Prairies North,Summer 2008,
p. 23-25
2004 Bouchard, Gilbert, “Painter Unafraid to Buck Fine Art Trends” Edmonton Journal,
Friday, Sept.17th, 2004, E6
2004 Wilkin, Karen, “Northernness and Other Considerations: At the Museums and Elsewhere”, The Hudson 55 Review, Magazine of Literature and Arts, 55th Anniversary Year, c  2004 Hudson Review, Inc.Winter 2004, Number 4, Vol. LVI, p. 683
2003 Hobin, Kate, Campus of the Arts 2003 Summer Program, Emma Lake Kenderdine Campus, University of Sask.p.11
2003 Hobin, K., Matthews,K.,Community Arts Program, Extension
Division, University of Saskatchewan, Issue 25, Winter/Spring 2003
cover image, “Spectacle of Horses”, acrylic/canvas 2001
2002 Stacey, R.,Ring,D., Herriot,T., Qu’Appelle Tales of TwoValleys
c Mendel Art Gallery 2002,exhibition catalogue
1999 Prestegard, A. G., “Varmt Mote Med Laeremeisteren”,Hordaland,
Saturday, Sept. 25, p.5
1998 “Kanadisk Kunst Pa Voss”, Bergens Tidende,Thursday, Sept.30
1998    Tarasoff, Koozma J., “Artists of Doukhobor Heritage”,Kabatoff, Jan,
Spirit -Wrestlers’ Voices, pp.65-7,c LEGAS,published by LEGAS
1997 Kurtz, J.M., Treasured Moments, c James Kurtz Memorial Foundation Inc.
Published by PrintWest Communications Ltd.
1995 Eaton, N., Weston, H., At Home In Canada, published by Penguin Books
Canada Ltd.
1995 “NEC to Celebrate the Role of Doukhobor Women”,
Nelson Daily News,Friday, March 1995, p.17
1995 “Exhibit Celebrate Women”,The Castlegar Sun,Wednesday,
April 5, 1995, 4B
1994 Lipsett, Katherine, “Reframing the Landscape, The Columbia Icefield
Expedition”, The Cairn, Autumn, 1993, Vol.XVIII, No. 1, p. 2
1994 Robertson, Sheila, “Diverse Exhibit Fits Purpose of the Kenderdine 
Gallery”, The Saskatoon Star Phoenix, June, 1994
1994 “Icefield Exhibition Left Artists in Aweof the Landscape”,  
The Calgary Herald,Monday, June 20, 1994,
1993 Adams, Jeff, “Whyte Sponsors Art Trek”,Herald, Banff, July 30, 1993
1993 Andreef, Bow Valley This Week, Tuesday, August 3, 1993,p.8
1993 Laviolette, Mary Beth, “Catherine Perehudoff at New Zones Gallery of    
Contemporary Art”, Artichoke, Writing About the Visual Arts,
Fall, 1993, Vol.5 ,No. 3, pp. 62-4
1993 Osler, Ted, “Local Landscape Inspires Calgary Artist”, Calgary Rural
Times, Section 45, May 18, 1993
1993 Robertson, Sheila, “Second Generation artists at Emma”, The Saskatoon
Star Phoenix, Saturday, July 31, Section C, p.5
1992,91 Fenton, Terry, Visiting Artists, Leighton Foundation
1990 The Cairn, c Whyte Museum of the Canadian Rockies,
1990 Beauchamp, Elizabeth, “Monotypes Show Effortless Grace”, The
Edmonton Journal, Friday, Oct. 5, 1990, F8
1990 Duncan, Ann, “London Weathers Art’s Ups and Downs”, The Gazette
Dec. 1, 1990
1990 Les Femmeauses 90, c 1990 Research Centre,
Pratt & Whitney Canada
1989 O”Brian, John, The Flat Side of Emma Lake,
Emma Lake Artists’ Workshop, c 1989 Mendel Art Gallery
1988 Gauthier, Denis, “Le 7e Symposium de Peinture de Baie-Saint Paul:C’est
Parti”, Le Soleil
1988 Gravel, Claire, “A Baie-St. Paul, L’Art Contemporain Descend Dans    
L’Arene”, Le Devoir, Samedi, 13 Aout
1988 Leblond, Jean Claude, “A L’Est de Quebec”, Vie Des Arts, vol. XXXIII,
No. 133, Dec. Hiver, p. 63
1988 Robertson, Sheila, “Catherine Perehudoff Opens Landscape Show”
The Saskatoon Star Phoenix, Sat., April 9, p.1
1988 “Pays-Ages: Un Atelier a Ciel Ouvert”, La Press,August 4
1987 Sosnowski, V., “Visual Arts”, The Edmonton Journal,
Sat., Sept. 19,Sec.E, p.1
1986 Brigdens’ Collection of Art, c Brigdens Printer and Publishers
1986 Moffett, Kenworth,Moffett’s Art Letter, Vol.1, No. 7/8, Sept./Oct. 86 p.2
1985 Humphries, K., “Queen Mother Charms Regina”, The Saskatoon Star
Phoenix, Wed., July 17, 1985, Section A, p.1
1984 Bell, Keith, “The Emma Lake Artists’ Workshop: Its Development and
Importance”, The Green and White,University of Sask. Alumni
Association Magazine, Fall 1984, p.10
1981 Burt, E.O., “Catherine Perehudoff: Artistic Maturity”, Arts West, vol. 6,
No. 10, Nov. 1981, p.21
1981 Ball, D., “Parents Encourage Young Artist”, The Leader Post,Regina,
Sask., Thursday, Nov. 19, Section C, p.1
1980 Christie, R., Watercolour Painting in Saskatchewan, catalogue for
exhibition, c 1980 Mendel Art Gallery,p.41
1980 Callahan, M., Emma Lake’79, catalogue for the exhibition, c Edmonton
Art Gallery, Edmonton, Alberta
1980 “People and Places”,  The Saskatoon Star Phoenix, Sat.,
May 31, 1980, Section B, p.2
1979 “Cathy Perehudoff”, Leader Post,Regina, Saturday, Oct.13, p.13
1979 Burke, “Four Artists Featured at Exhibitions”, Leader Post,Regina,
Sat., Sept. 22, 1979 Section C


Films and Videos Featuring Paintings, and Radio Interviews:

2019 Interview by Radio Tadino

Interview by trgmedia (Regional Television):
2012 “Catherine Perehudoff”, video interview about the artist's experience painting at Waskesui Lake, Prince Albert  National Park, by Troy Gronsdahl for the permanent collection show “Where It's At”, copyright 2012 Mendel Art Gallery, Saskatoon, SK
2004 Between the North Pole and New York City, Television Documentary covering 5 decades of the Emma Lake Workshops, Sask., produced by Cooper Rock Productions, directed Mark Wihak and Daryl K. Davis
1995 “Write it on the Heart”, video documentary, collaboration with June Morgan
Personal stories of four Doukhobor women of different
generations; produced to coincide with the 100th Anniversary of the
Burning of Arms in Russia. It was shown on B.BS. Sask., SCN,    
Doukhobor Film Festival in Castlegar, B.C., The West Kootenay National
Exhibition Centre, The Grand Forks Art Gallery, The
Richmond Art Gallery.
Awards: First Time Producers’ Award, Best Sask. Documentary
1990 Le Tableau Noir, du realisateur Jacques Giraldeau c National Film Board
1988 Symposium Jeune Peinture, “Pays-Ages”, c Centre D’Art,
Baie Saint-Paul, Quebec


Canadian Who’s Who, University of Toronto Press, c 1991...2020
Who’s Who in Alberta, The Historical Society of Alberta, c 1994

Upcoming Events

International Group Exhibit in Rome. “Landscape (Inside and All Around Me)”#2 ,Carlo D'Orta ArtStudio/Gallery in Rome
The gallery is located in the center, in Trieste district, an area characterized by the presence of embassies (e.g. of the Arab Republic), important ancient monuments (Catacombs of Priscilla, Mausoleum of Santa Costanza) and cultural institutions (German Academy of Villa Massimo).
The exhibition will be held from 20th January to 10th February 2022

Curator Adelinda Allegretti wrote: “The curatorial project entitled “Landscape (Inside and All Around Me)” began in 2014, with a first exhibition in Sigtuna, Sweden.
Several years later I selected the Carlo D'Orta ArtStudio/Gallery in Rome as a continuation of that experience. About the theme, here are the words in the catalogue of Sigtuna's exhibition: «The concept of this show was devised several years back for an exhibition space in Tivoli, near Rome but, as sometimes happens, logistic problems delayed the organization. When the opportunity arose for an exhibition in Sweden, I immediately realized that the concept that I had previously put aside was perfectly in line with the image of Northern Europe rooted in the collective unconscious. Its wide, uncontaminated spaces more or less intentionally conjure the idea of the right “emptiness” that is necessary to look inside oneself and discover the endless lands of our innermost self. Admiration and respect for the physical landscape is but a first, compulsory step towards an itinerary that starts from the outer in order to reach the inner space».

Recent Art News

Event invitation image

Solo exhibition, October 1-30th, 2019 at the Studio & Gallery of Adelinda Allegretti, Gualdo Tadino, Italy. Click image to view at full size.

Interview by Radio Tadino
Interview by trgmedia (Regional Television)

Recent Art News


International Group Exhibit in Assisi (San Francis' town) curated by Adelinda Allegretti. 2nd-19th December. Exhibition is part of the 17th Giornata del Contemporaneo (Contemporary Art Day) promoted by AMACI - Associazione dei Musei d'Arte Contemporanea Italiani (Association of Italian Contemporary Art Museums).

Recent Artwork

Collector Invitation

For archival purposes and future public exhibitions the artist would like to invite collectors of her work, if they are interested, to share their names, the title, medium, year of the painting they own and contact information with her in order to facilitate potential curatorial research. Due to the closing of many commercial galleries previously exhibiting her work information pertaining to the location of earlier paintings has been lost. This information would be kept confidential in the artist’s records unless there was a request for a specific art work to be included in a public exhibition at which time the collector would be contacted for permission.