Public Collections


Alberta Art Foundation, Edmonton, Alberta
Alberta College of Art, Calgary, Alberta
Art Gallery of Nova Scotia, Halifax, Nova Scotia
Canada Council Art Bank
Centre D’Art, Baie St. Paul, Quebec
Canadian Government Parliament Buildings, Ottawa, Ontario
Canadian Embassies: Tokyo, Buenos Aires
Civic Art Collection, Calgary, Alberta
Dr. John G. Egnatoff School, Saskatoon, Saskatchewan
Edmonton Art Gallery, Edmonton, Alberta
Edmonton Catholic School Board, Edmonton, Alberta
Edmonton Public School Board, Edmonton, Alberta
Glenbow Museum, Calgary, Alberta
Institute of Pedagogy, Faculty of Art, Ostrava, Czechoslovakia
Kamloops Art Gallery, Kamloops, British Columbia
Mackenzie Art Gallery, Regina, Saskatchewan
Mendel Art Gallery, Saskatoon, Saskatchewan
Moose Jaw Museum & Art Gallery, Moose Jaw, Saskatchewan
Northern Alberta Institute of Technology, Edmonton, Alberta
Office of Protocol for Saskatchewan
Richmond Art Gallery, Richmond, British Columbia
Robert McLaughlin Gallery, Oshawa, Ontario
Saskatchewan Arts Board, Regina, Saskatchewan
Saskatchewan Council of Cultural Orientation
University of Alberta, Department of Medicine, Edmonton, Alberta
University of Lethbridge, Lethbridge, Alberta
University of Saskatchewan, Saskatoon, Saskatchewan
Voss Folkehogskule, Voss, Norway
Whyte Museum of the Canadian Rockies, Banff, Alberta
Yukyung Art Museum, Haegeumgang, Geoje, South Korea

Upcoming Events

International Group Exhibit in Rome. “Landscape (Inside and All Around Me)”#2 ,Carlo D'Orta ArtStudio/Gallery in Rome
The gallery is located in the center, in Trieste district, an area characterized by the presence of embassies (e.g. of the Arab Republic), important ancient monuments (Catacombs of Priscilla, Mausoleum of Santa Costanza) and cultural institutions (German Academy of Villa Massimo).
The exhibition will be held from 20th January to 10th February 2022

Curator Adelinda Allegretti wrote: “The curatorial project entitled “Landscape (Inside and All Around Me)” began in 2014, with a first exhibition in Sigtuna, Sweden.
Several years later I selected the Carlo D'Orta ArtStudio/Gallery in Rome as a continuation of that experience. About the theme, here are the words in the catalogue of Sigtuna's exhibition: «The concept of this show was devised several years back for an exhibition space in Tivoli, near Rome but, as sometimes happens, logistic problems delayed the organization. When the opportunity arose for an exhibition in Sweden, I immediately realized that the concept that I had previously put aside was perfectly in line with the image of Northern Europe rooted in the collective unconscious. Its wide, uncontaminated spaces more or less intentionally conjure the idea of the right “emptiness” that is necessary to look inside oneself and discover the endless lands of our innermost self. Admiration and respect for the physical landscape is but a first, compulsory step towards an itinerary that starts from the outer in order to reach the inner space».

Recent Art News

Event invitation image

Solo exhibition, October 1-30th, 2019 at the Studio & Gallery of Adelinda Allegretti, Gualdo Tadino, Italy. Click image to view at full size.

Interview by Radio Tadino
Interview by trgmedia (Regional Television)

Recent Art News


International Group Exhibit in Assisi (San Francis' town) curated by Adelinda Allegretti. 2nd-19th December. Exhibition is part of the 17th Giornata del Contemporaneo (Contemporary Art Day) promoted by AMACI - Associazione dei Musei d'Arte Contemporanea Italiani (Association of Italian Contemporary Art Museums).

Recent Artwork

Collector Invitation

For archival purposes and future public exhibitions the artist would like to invite collectors of her work, if they are interested, to share their names, the title, medium, year of the painting they own and contact information with her in order to facilitate potential curatorial research. Due to the closing of many commercial galleries previously exhibiting her work information pertaining to the location of earlier paintings has been lost. This information would be kept confidential in the artist’s records unless there was a request for a specific art work to be included in a public exhibition at which time the collector would be contacted for permission.